《终末的女武神12集》

During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.

深圳记者周安(ān )娜(🔠)追(🔬)(zhuī )随(suí )爱情(qí(👇)ng )来(🤑)到新疆，投身“一(yī )带(🎥)一(🏠)(yī )路(lù )”事(shì )业(🦓)中，她的未婚夫李(lǐ(🐽) )明(🕠)旭(xù )作为国(guó(🏦) )企油田高管固守旧观(🤩)(guān )念，瞧不起(qǐ(👗) )提(😘)供外包服务的民营(⛓)(yí(🌱)ng )企业(yè )家杜亚(💉)新，与周安娜产生分(🐄)(fè(🕖)n )歧。而卷入这场(🎃)纷争的周安娜最(zuì )后(🚾)发(fā )现自己的(🤙)爱(🥝)情也陷入两难选(xuǎ(🚶)n )择(➰)。

Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.

民国时期军阀(🏉)混战。来到烧(shāo )锅镇(📭)(zhè(🤛)n )投亲的张扬，在(🎣)探(👹)寻(xún )姑父(fù )死(sǐ )因(👋)中(🥈)(zhōng )逐渐知晓刘(⛷)天德多年(nián )前伙(huǒ(🌔) )同(👏)(tóng )冯有(yǒu )等，杀(🖨)害镇上烧锅大(dà )户齐(🔩)(qí )家抢夺(duó )酿(❤)酒(🙊)秘方一事。最后(hòu )在(🐿)张(🔻)(zhāng )扬的帮(bāng )助(🏻)下锄奸去恶、伸张(🥌)(zhā(♿)ng )正义(yì )，齐旺则(🔱)率众人重振仁义泉(quá(🕑)n )。

４K/8Kの高解像度(🏭)に(🛄)よる大型映像(xiàng )を(🛅)は(🉑)じめ、CMやPV、テ(🐁)レビ番(fān )組、さら(🔔)に(🏋)はwebクリエイテ(👦)ィ(👐)ヴ・デザインやグ(💋)ラ(🚐)フィック方面(🛂)でも活(huó )躍(yuè )する(🍊)IMAGICAイ(🙋)メージワーク(📉)スと、『ALWAYS三(sān )丁目(mù(🅰) )の夕日』シリ(🙍)ー(🍖)ズや『永(yǒng )遠の０(👿)』(🌶)などの大ヒッ(🛑)ト作(zuò )で知(zhī )られ(📕)る(🥢)映像制作集団(🕖)ROBOTがタッグを組んで、(🏘)子どものころ(🌻)に(🎯)見(jiàn )た夢(mèng )を失い(😅)な(⚾)がら大人にな(🚕)り、多忙(máng )を極め(❌)て(😒)久しい現代(dà(🤾)i )人(👔)の心(xīn )に、かつて(📻)のあの“想い”を蘇(🤡)(sū )らせるSFファンタ(🕥)ジ(🥊)ー！

印(yìn )度每(mě(🌨)i )年(nián )有超(chāo )过二万宗(😑)针对女性的(de )暴(🚲)力(🤠)(lì )罪案，平均每二十(🥎)二(🎬)分钟就(jiù )有一(🧛)(yī )名女性(xìng )被强暴(🎫)，每(🚡)六小时就(jiù )有(🔠)一(yī )名妇女因家庭暴(🌆)力丧命。年(nián )轻(😜)的(🈲)(de )基层女警索妮与上(📺)司(😛)卡帕纳(nà )在德(🐆)(dé )里一同接手调查(🛥)不(🛺)同的女性(xìng )暴(🔧)力(❔)(lì )事件，在办案过程(😬)中(zhōng )往往遭(zāo )受(🍜)到(dào )了重大阻力，无(🤳)日(🍥)无(wú )之的罪(zuì(🐒) )案令(lìng )她脾气暴躁，做(📞)事方(fāng )式偏(piā(😗)n )离(🈺)(lí )常规(guī )，被裁定在(🙏)执(🥇)勤中行(háng )为不(👺)(bú )当，而(ér )私人生活(🤽)也(🐯)影响到了(le )她的(🥥)(de )职业表(biǎo )现，与丈夫已(💢)经彼此(cǐ )疏离(🔠)(lí(😤) )，却要被迫面对他突(📛)然(🅿)的到(dào )访。印度(🥙)电影少见的写实题(🕘)材(🚧)，以一(yī )场一镜(😤)营(🎗)造出真实迫力，将(jiā(🏉)ng )社会(huì )低下层(🙊)女(🦗)性受到压迫(pò )的问(🎐)题(🛳)(tí )表露(lù )无遗(🍈)。